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- January 3, 1983 THEATER BEST OF '82
-
- Cats. Some adore it. Some deplore it. The lyrics of T.S. Eliot,
- the music of Andrew Lloyd Webber and the spectacular stage
- effects of Director Trevor Nunn and Designer-Costumer John
- Napier have made Cats a conversation piece and a flaming
- megahit.
-
- The Dining Room. Clear-eyed, touching and buoyantly funny, A.R.
- Gurney Jr.'s drama compassionately graphs the decline of the
- Wasp, a breed apart.
-
- Extremities. William Mastrosimone's menanacing melodrama about
- rape brought a low-voltage year to a high-voltage end.
-
- Foxfire. Those who hew to goodness and revere the customs of
- their forebears are rarely met with on a New York stage. Here
- they are in this tale of Appalachian tenacity, fashioned by
- Susan Cooper and Hume Cronyn. And who better to memorialize
- their griefs and joys than Cronyn and Jessica Tandy?
-
- Good. How does a liberal-minded German classics professor
- become Eichmann's right-hand man at Auschwitz? In C.P. Taylor's
- play, the gifted Alan Howard makes the insidious slope to hell
- plausible and harrowing.
-
- "Master Harold" ...and the Boys. To each of his dramas, South
- Africa's Athol Fugard brings a tormented conscience, a touch of
- the poet and scalding honesty.
-
- Monday After the Miracle. This is a tale of fiercely kindled
- passions and the bittersweet bondage of entwined destinies. It
- takes up the saga of Helen Keller, Annie Sullivan and John Macy,
- the man Annie wed, some 20 years after the events in Playwright
- William Gibson's earlier The Miracle Worker. Karen Allen, Jane
- Alexander and William Converse-Robert irradiate their roles.
-
- Plenty. With envenomed wit and mocking disillusionment, modern
- British playwrights have sung an elegy in the graveyard of lost
- Empire. David Hare has added a tantalizing ingredient: an
- infernally mysterious woman whose moods and manners displace
- each other as if she were trying on hats. Kate Nelligan brings
- her to effulgent life.
-
- A Soldier's Play. Charles Fuller's drama of tensile strength
- about a World War II black outfit stationed in Louisiana that
- gets involved in a racial whodunit. The central character,
- brilliantly portrayed by Adolph Caesar, is a black Regular Army
- noncom who is as tough as bully beef.
-
- Torch Song Trilogy. Son of a Brooklyn handkerchief maker,
- Playwright Harvey Fierstein began working as a drag queen in
- East Village clubs at 16. As he enacts the key role, he vividly
- evokes a mode of life that is alternately hilarious and
- heart-wrenching.
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